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For
us, not by us: How Western capitalism aids Africa
Fungai Machirori
November 08, 2007
A recent edition of one
of America-s most famous high-end glossy magazines featured
a special on Africa that brought together a host of celebrities
for a photo shoot to help champion the continent-s various
causes. Among these big names were politicians (US president George
Bush and Senator Barack Obama), film and music superstars (Brad
Pitt, Chris Rock, Madonna, Jay-Z) and humanitarians (Oprah Winfrey,
Bill and Melinda Gates, and Archbishop Desmond Tutu). The photographs,
shot in evocative poses of deep thought and compassion, were featured
on twenty different covers of the magazine-s same edition.
As the issue-s guest editor, Bono, front-man of popular Irish
band U2 and a name synonymous with efforts towards Africa-s
debt cancellation, wrote for the magazine-s editorial, "We
needed help in describing the continent of Africa as an opportunity,
as an adventure, not a burden."
What should one feel
about such obvious commercialisation and commodification of a continent
which probably would never have made the cover of this same magazine
without the help of these modern Western icons? Exploited, angry,
powerless - those are a few that come to mind. But whatever
we may feel, what this example proves is an almost unquestionable
truth. In order to get the West to pay meaningful attention to Africa-s
plight, the messages transmitted to its audiences have to be 'airbrushed-
so as to divert attention away from the hackneyed and depressing
issues of death, suffering and social, economic and political instability
towards a more comfortable and familiar environment.
Though the above-mentioned
are the challenges that many African states are fighting to overcome,
they just don-t hold enough significance to those living outside
of the donor and philanthropic spheres of society to effect meaningful
action. And the donor agencies themselves are falling far short
of the mark in meeting the needs of Africa. According to a recent
report released by the Joint United Nations Programme on HIV and
AIDS (UNAIDS), donor agencies need to more than quadruple the current
amounts of money they are providing towards universal access to
HIV prevention, treatment, care and support initiatives in Africa
by 2010. Over US$40 billion is needed - a sum that seems to reach
far beyond the depth of funders- goodwill.
Let-s face it -
we live in a highly consumerist and individualistic world where
people usually ask prior to taking any action, 'So what-s
in it for me?" While it might still be disturbing for Western
audiences to stumble upon a television documentary or news story
about starving African children, or a mother dying from AIDS, these
images of Africa have become so commonplace as to elicit only momentary
sympathy followed by a flick to a more entertaining channel. We
Africans - those of us privileged enough to turn a blind eye
- often even do this ourselves.
Poverty, and disease
- though serious crises - are big business. One needs to just think
of the legal battles that big Western pharmaceutical companies wage
to protect patents over their drugs and prevent developing countries
(such as India) producing cheaper generic forms of life-saving medication
such as anti-retrovirals (ARVs). These big 'pharmas-,
like any other commercial entity, would like to ensure the least
amount of market competition in order to retain control over pricing
of these products and thereby, their profit margins. It makes simple
business sense.
Looking at the example
of the magazine once more can further illustrate this point. All
stakeholders are presented with a win-win situation here. Readers
buy the magazine ostensibly to read about Africa, but really to
read about what their favourite star thinks about Africa and, of
course, what they are doing to help. And because these celebrities
are opinion leaders, the hope is that their compassion and influence
will urge ordinary people, their fans, to take action too. And this,
of course, does nothing to damage Brad Pitt or Jay-Z-s image
as superstars with a conscience. Far from it. It just makes fans
love them even more - enough even to buy a copy of their latest
movie or music album. , thereby boosting their star value. Ultimately,
everyone wins.
Diversion is ironically
the key to getting people to listen. Entertainment is accepted as
one of the main functions of the media - a function that usually
overrides those of informing and educating audiences. Edutainment
(simultaneous education and entertainment) through its incorporation
of popular entertainment formats into health messages has proven
to be one of the most effective modes of HIV and AIDS communication.
Why? Because people just don-t respond to repetitive and severe
messages in the way they do to the same issues repackaged more tactfully
and attractively as entertainment. The LiveAID concerts held across
the world in 2005, while raising money to fight poverty, were successful
for one main reason - they provided an array of some of the
world-s biggest superstars and gave audiences the chance of
a lifetime to see them perform live. Give audiences what they want
and hopefully this will make them buy into your cause, even if sub-consciously.
As Dr Tajudeen Abdul-Raheem of the Pan African Movement in Uganda
wrote at the time of the concerts, "The NGO world, but the
very big international ones in particular, are more and more media-driven.
Therefore packaging misery and targeting critical national and global
events have become necessary tool kits for massive fundraising."
Indeed, humanitarian
and commercial interests can function symbiotically to champion
a cause. The Global Fund to Fight AIDS, TB and Malaria in its collaboration
with (RED) - a corporate partnership of some of the world-s
most famous brands (American Express, Apple, Armani, Motorolla among
others) seem to be succeeding at this. A percentage of sales of
products from the range of (RED) branded clothing, credit cards
and digital devices the companies produce is given to the Global
Fund to assist it in provision of HIV and AIDS-related services.
As (RED) overtly states in its manifesto, "As first world
consumers, we have tremendous power. What we collectively choose
to buy, or not to buy, can change the course of life and history . . .
(RED) is not a charity. It is simply a business model." (RED)
makes good promotional and commercial sense for the companies it
involves and equally good sense for beneficiaries of its funds.
To date, of the over
US$45 million received by the Global Fund from the sale of (RED)
products, two-thirds has been channelled towards grants in Ghana,
Rwanda and Swaziland. This money, says the Fund, is helping to finance
national programmes on HIV and AIDS to provide antiretroviral treatments,
assist in the prevention of mother-to-child transmission of HIV,
as well as to provide for HIV counselling and testing activities.
Recipients of such aid in Swaziland, a nation with a HIV prevalence
of over 30%, are sure to be thankful. One wonders if a once-bedridden
child who can now get up and run about with his friends really minds
if he can only do so because some teenager in New York got a new
(RED) branded gadget for his 16th birthday.
Call it what you may,
but those are the hard and fast rules of capitalism. Moreover, it
is those capitalist dollars flowing into our region that help keep
many alive. This is not to say that Africans should not be active
participants in the response to their own challenges. In fact, we
ought to learn to harness the commercial potential available to
us to bring ourselves out of our own problems. This, though easier
said than done, is key to refocusing attention on the continent.
Charity begins at home, and sadly, it often ends there too. And
any strategies that endorse as ideal the begging bowl approach to
seeking international aid need a serious rethink.
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