|
Back to Index
Dying so that he may live
Zimbabwe
in Pictures
March 19, 2010
http://www.zimbabweinpictures.com/node/275
It is not everyday that
a young man of 21 steals the shine from a visiting Head of State,
whose presence in the country is occasioned by an urgent need to
resolve a deepening political crisis. Yet this is what the late
youngster and talented artiste, Sam Mtukudzi, son to legendary music
maestro, Oliver Mtukudzi has managed to do in Zimbabwe since Monday.
If it is any consolation,
"the moon steals its shine from the sun, and no one ever gets
the two confused", as someone once said. So go ahead Comrade
Jacob Zuma and try all you can to bring an end to the feud between
governing parties in what is fast-becoming a tragic tale of the
government of national (dis)unity.
To really understand
where the rain of mis-governance, abject poverty, unashamed corruption,
gross malfeasance and other ills began to beat Zimbabwe, you have
to go back some thirteen years ago. The country was just seventeen
then, a bit of ‘mischief' here and there but over all,
on course to a vibrant and promising adult life. But some people
had other ideas and we have all come to realize what those ideas
were.
Maybe, and just
maybe, things would have turned out quite differently had we listened
to visionaries like Dambudzo Marechera who screamed as if he was
mad in Oracle of the Povo, a poem
Zimbabwe is
approaching its 30th birthday while having to endure a fractured
and tortured youth phase replete with a catalogue of unmitigated
disasters for our own young people. "The brutal experiences
of our youth have been traumatic enough, joblessness, poverty, lack
of access to higher education, illegal migration, xenophobia, hunger
and humiliation . . . " we wrote in one of our January 2010
editorials, Anthem for doomed youth?
Just as they have choked
the progress of a youthful country, they have also done the same
to its young ones, blocking avenues of growth, stampeding the development
of talent and its consequent expression. But young, gifted and creative
people like Sam Mtukudzi are the anti-thesis to this brutalization
and near de-humanization at the hands of people who are supposed
to be at the forefront of championing their cause, creating an environment
for their talent and skill to thrive.
These young people have
not denounced the motherland but rather promoted it, remaining faithful
and hopeful for the best, sometimes with cautious optimism and more
often, with reckless abandon. In March last year, as we responded
to refreshing and creative voices of Zimbabwe's youthful talents
like Cde Fatso & Chabvondoka, Outspoken, Godobori, Poetic Angel,
Ronald Jongwe, among others, we wrote; "Beneath the broken
pieces of our dream there is a wind that is gathering speed and
it will be a hurricane by the time it hits the global stage . . . ".
Unfortunately, we were
late with our forecast. Hurricane Mtukudzi, Hurricane Chabvondoka,
Hurrican Godobori and other artistically devastating hurricanes
had already caused chaos and announced their arrival on the global
stage with voices loud but well co-coordinated, sounds unfamiliar
but nonetheless pleasant to the ear, an art invigorating to the
mind.
Hence, in the painful
death of Sam Mtukudzi last Monday, we mourn the interruption in
continuity, first in his own OutspokenCde FatsoGodoboriright as
an artiste and secondly as heir apparent to the legacy of his much
accomplished father. We cry over the loss of someone who touched
many of us in different ways, never complaining and never showing
signs of being inconvenienced or irritated when called to serve
others. We ask questions no one except the Creator can answer. We
wish for the hands of time to be turned back so that we can do things
differently and avoid tragedy. We . . . reach our wit's end.
Helpless
but not without hope
To all young
and creative people in Zimbabwe and indeed the rest of Africa, Sam's
death should not be counted as a loss, rather as an event that should
spur revolutionary will and zeal to be the change and transformation
we seek in society, not with guns and petrol bombs but with words,
with voices, with hands . . . with our creative talents and skills
for it is the works we produce and the legacies we set in motion
that enable us to write our names in water.
Sam has died so that
he may live; so that he may remain young forever. Just like, Jesus
(33), Dambudzo Marechera (35), Steve Biko (30), Aaliyah (22), Tupac
Amaru Shakur (25), Tammi Terrell (24), Jimi Hendrix (27), Bob Marley
(36), Che Guevara (39), just to mention a few in the league he has
joined.
On Wednesday, March 17
2010, Mr Samson Mtukudzi was laid to rest next to his long-time
friend, Mr Owen Chimhare at Warren Hills Cemetery in Harare. The
pair was driving from Harare en route to their home in Norton when
the vehicle they were travelling in veered off the road and slammed
into a bridge in the early hours of Monday, 15 March 2010. They
both died on the spot. It is suspected that the driver, Owen, lost
control of the vehicle resulting in the tragic accident.
Samson, the
only son born to Oliver and Daisy Mtukudzi, was due to celebrate
his 22nd birthday on April 1. The launch of his second album Cheziya
had been designed to coincide with his birthday celebrations. At
the time of his death, he had also just been appointed to the board
of Pakare Paye Arts Centre, an academy set up by his father to brew
and nurture musical talent at their home in Norton.
Tributes and messages
of condolence continue to pour in from all over the world. Zimbabwe
in Pictures salutes both Sam and Owen and prays for the comfort
of the Mtukudzi and Chimhare families during this time.
Please credit www.kubatana.net if you make use of material from this website.
This work is licensed under a Creative Commons License unless stated otherwise.
TOP
|