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Vera
to be greatly missed
Wonder
Guchu, The Herald (Zimbabwe)
April 13, 2005
http://www.herald.co.zw/index.php?id=42458&pubdate=2005-04-13
WHEN Yvonne Vera first
came to the Zimbabwe International Book Fair in 1992, she was 28 and had
written two books Why Don’t You Carve Other Animals and Nehanda.
Having spent much of her life studying in Canada, Vera was a stranger
to most of us but somehow her approachability and easy-going nature endeared
her to the people with whom she mingled during those early days.
Learned as she was, Vera never showed it to most of us who were still
struggling to have our work accepted by a publisher. She had time to listen
and discuss without pushing her opinions.
When she eventually returned home, settled in Bulawayo and had Under the
Tongue published, I had an opportunity of reviewing the book for the Sunday
Mail.
In the review, I raised concern over the poetic language that I felt the
ordinary reader would not understand. I also made reference to her earlier
book, Nehanda, which I described as a book infested with crawling insects.
Later in the same year, I met her during a function at the German Embassy
where she was presenting a paper on literature. We had met before, engaged
in discussions but when we met then, she took me to task over what I meant.
After exchanging ideas, she said that she was relieved that there were
reviewers who see things their own way on behalf of their readers.
According to her, the majority of Zimbabwean reviewers were concerned
with glorifying even badly written literary works.
Constructive criticism, I recall her saying, helps even those who have
written tens of books.
That was the last time I saw her in person after reading about a misunderstanding
she had had with the organisers of the ZIBF.
Vera vowed that she would never have anything to do with ZIBF after that
misunderstanding. I believe she never attended the fair until her death
last week in Canada.
Such was Yvonne Vera’s principles and this is also what the reader gets
when reading her books.
Writing not as a woman but a writer with a conscience, Vera’s stories
are about the injustices with which the society treats women and girl
children.
This is what runs through the short story collection Why Don’t You Carve
Other Animals to Stone Virgins.
It’s the same when she writes about an unbalanced relationship in which
the man adopts a holier than thou attitude or when it’s about a small
girl whose father abuses her sexually and suffers in silence.
One also finds this when Vera deals with issues of making the hardest
of decisions that only pleased the individual or when she deals with history
as in Stone Virgins.
Stuck at the centre of all this are women and this was not because Vera
was a woman but because she felt strongly about issues that affected this
neglected section of the society.
This too was part of her principles.
She was born in Bulawayo on 19 September 1964 in the then Southern Rhodesia
(now Zimbabwe).
After secondary school in Zimbabwe, Vera relocated to Canada where she
studied at York University, Toronto where she obtained a BA Hons. in English,
a Master of Arts in English and a Doctorate in English.
In 1992 she published her short story anthology, Why Don’t You Carve Other
Animals, Nehanda came in 1993 and in 1994, she wrote Without a Name. Another
great book, Under the Tongue, was published in 1997 and it won the Commonwealth
Award for the Africa Region.
She also wrote the award winning Butterfly Burning and Stone Virgins.
In July 1997, Vera was appointed regional director of the National Gallery
of Zimbabwe in Bulawayo where she lived until she left for Canada last
year.
Her death diminishes us.
May her Dear Soul Rest In Peace.
Meanwhile, the first memorial service for Dr Vera will be held at St John’s
Anglican Cathedral in Bulawayo on 23 April and another one is set for
Harare during the Zimbabwe International Book Fair in August.
The National Arts Council of Zimbabwe has described Dr Vera, the NAMA
Award winner, as a beacon of inspiration and a role model for all literature
lovers.
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